Vinyl Relics: Underground by The Electric Prunes
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News from the Invisible World by The Fierce and the Dead–Album Review
News from the Invisible World by The Fierce and the Dead–Album Review
The album News from the Invisible World by The Fierce and The Dead opens with a track aptly titled “The Start.” This composition can be interpreted as an anthem for strategic decision-making or waiting for the opportune moment to take action. It commences in a subdued manner, gradually building in intensity until the vocals and instrumental elements seamlessly converge, culminating in a satisfying crescendo.
“Shake the Jar” introduces itself with a strong presence, characterized by impressive guitar work from Matt Stevens and Steve Cleaton. The song embodies a gritty, garage rock aesthetic that immediately captivates the listener’s attention. Its bold and assertive nature, coupled with skillful keyboard and synthesizer elements, exudes a captivating energy. Notably, the bass contributes a distinctive distorted fuzz tone, and the track transitions from its initial robustness to a light and whimsical conclusion that transforms into a robust hard rock finale.
While “Golden Thread” initially appears to adhere to conventional hard rock patterns, it undergoes a striking transformation that elevates it from familiarity. The song takes an unexpected turn, introducing complexity through mechanical, techno-style vocal echoes. This infusion of alternative rock with a head-banger edge delivers a unique auditory experience, challenging initial expectations.
In the ballad “Non-Player,” the band demonstrates the transformative power of a skilled keyboardist and synthesizer player, effectively simulating an entire orchestra within a smaller ensemble. Kev Feazy’s vocals evoke echoes of Jon Anderson from the legendary band “Yes.” Comparisons to established corporate rock groups aside, the band’s innovative approach shines through. The track culminates with Terry Edwards’ skillful brass contributions, juxtaposed against delicate vocals and evoking a sense of musical freedom.
A standout track, “What a Time to Be Alive,” showcases the synchronicity between Kev Feazy’s bass and Stuart Marshall’s drums, a hallmark of exceptional musicianship. The song effortlessly shifts between intense rock passages and ethereal instrumental segments, highlighting the band’s musical versatility.
Paul Mockford
The album concludes with “Nostalgia Now,” a contemplative piece that explores the human inclination toward seeking reassurance through memories. Interpreting lyrics remains a subjective endeavor, yet the song’s thought-provoking and distinctive nature stands out. The track invites introspection and leaves a lasting impression with its insightful approach.
Overall, News from the Invisible World is a recommended musical journey. While it may not resonate with every listener, true artistry often elicits diverse reactions. The album’s complexity and unique stylistic choices firmly establish it as a work of art. Each listener is likely to discover something enjoyable within this diverse collection of tracks.
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