Skip to content
Facebook Instagram Twitter Youtube

Psychedelic Scene

psychedelic Scene Magazine

  • Features
  • Interviews
  • Reviews
  • Categories
    • Music
    • Art
    • Books
    • Columns
    • Film
    • Lists
    • Podcasts
    • Science
  • Features
  • Interviews
  • Reviews
  • Categories
    • Music
    • Art
    • Books
    • Columns
    • Film
    • Lists
    • Podcasts
    • Science
Navbar
  • Features
  • Interviews
  • Reviews
  • Categories
    • Music
    • Art
    • Books
    • Columns
    • Film
    • Lists
    • Podcasts
    • Science
  • Features
  • Interviews
  • Reviews
  • Categories
    • Music
    • Art
    • Books
    • Columns
    • Film
    • Lists
    • Podcasts
    • Science

The Psych Ward–The Who Sell Out

PrevPreviousArtist Spotlight: JoLu Amaringo
NextApocalypticism by Moon Walker – Album ReviewNext
  • Rob Cavenagh
  • October 27, 2023
  • 6:28 am

The Psych Ward–The Who Sell Out

The idea of a concept album might be considered psychedelic in its own way: take one genre (advertising jingles) and apply a bit of rock sensibility in a tongue-in-cheek fashion. For their third studio album, The Who chose to create a concept record that paid tribute to not only advertising jingles – a recent side hustle – and their fondness for pirate radio stations.

Sell Out is, in many respects, a gag album sandwiching two or three standout tracks that stand very tall on their own. The pirate radio reference is seen throughout as radio tags for ā€œRadio Londonā€ and ā€œWonderful Radio London.ā€ Advertising jingles, many performed by Keith Moon and John Entwistle (occasionally using his ā€œBoris the Spiderā€ voice), pepper the album as intros/lead-ins to songs or added to the ends of finished songs.

Gag jingles aside, the meat of the album should be considered in the form of ā€œI Can See For Miles”, ” Mary Anne With the Shaky Handā€ and ā€œSunrise.ā€ Special mention should also be afforded to ā€œArmenia City in the Skyā€ which opens the album (following a series of wonderfully trippy promos for the days of the week from ā€œRadio Londonā€). Written by Thunderclap Newman singer John ā€œSpeedyā€ Keen and sung by Keen and Roger Daltrey, the song features a cornucopia of psychedelic effects and sounds that include backward instruments and found sounds.

Split image of Pete Townsend shirtless on the left with giant deodorant and Roger Daltrey in striped shirt with giant can of beans

ā€œSunriseā€ is a spare and ethereal song sung by Pete Townsend that features layered acoustic guitars. ā€œMary Anne With the Shakey Handsā€ is a slice of sixties musical magic: twelve-string guitars, tambourine, copious amounts of guiro and castanets, and delicate harmonies. Plus a bit of tremolo on the vocals for the words ā€œshakey handsā€ at the end of the song…

ā€œI Can See For Milesā€ is the standout track on The Who Sell Out. Long considered one of the best singles– not just from the band but from the era, ā€œI Can See For Milesā€ is a work of art. With possible drug references in the lyrics, the song is a wall of sound and a portent for bombastic studio work to come. With layers of vocals, guitars, and drums drenched in reverb, ā€œI Can See For Milesā€ stands on its own as a psychedelic masterpiece; as part of Sell Out, it is the tentpole track.

The Who Sell Out was quite popular upon its release during the heyday of psychedelic music in 1967. History has allowed it to shine further in various re-releases with extra tracks, posters, and liner notes by Pete. In many ways, it can be considered not just a precursor to the production excesses of Tommy and Quadrophenia but a proper dress rehearsal. Listen closely to the end of ā€œRael Pt. 1ā€ to hear bits of ā€œOverture/Undertureā€ from Tommy.

 

Related: The 100 Best Psychedelic Albums of the Golden Era

The Top 200 Psychedelic Songs from the Original Psychedelic Era

Split image of Keith Moon with giant cream container applying cream to face on left and John Entwhistle and sexy young woman embracing on right.

Gallery

Recent Articles

Image of a road dividing with a lab beaker in the middle with a plant growing out of it.

Engineering Ecstasy

•
July 5, 2026

The Green Hills by The Heavenly Bodes–Album Review

•
July 2, 2026
The antagonists of Zabriskie Point laying in the sand.

Psychotropic Cinema: Zabriskie Point

•
June 29, 2026
PrevPreviousArtist Spotlight: JoLu Amaringo
NextApocalypticism by Moon Walker – Album ReviewNext
Loading...
  • Features

Engineering Ecstasy

  • Lindsay Kent
  • July 5, 2026
  • No Comments
  • Music, Reviews

The Green Hills by The Heavenly Bodes–Album Review

  • Brian Cooper
  • July 2, 2026
  • No Comments
  • Columns, Film, Psychotropic Cinema

Psychotropic Cinema: Zabriskie Point

  • Jeff Broitman
  • June 29, 2026
  • No Comments
  • Concerts, Music, Reviews

Ak’Chamel and the Stolen Gnosis

  • Cody Goodfellow
  • June 26, 2026
  • No Comments
  • Features, Podcast

Podcast: Rhonda DeSantis

  • Jill Sitnick
  • June 24, 2026
  • No Comments
  • Music

Song Spotlight: Not to Touch the Earth by The Doors

  • Johnny Damron
  • June 22, 2026
  • No Comments

Gallery

Leave a Comment Cancel reply

Sign up for our Newsletter

Sign up for our mailing list to receive updates on trending stories, featured music articles, artist highlights and much more!

Contact Us

psychedelic Scene

Magazine

  • Home
    Home
  • About Us
    About Us
  • Terms and Conditions
  • Contact Us
    Contact Us
  • Art
    Art
  • Books
    Books
  • Music
    Music
  • Film
    Film
  • Interviews
    Interviews
  • Reviews
    Reviews
  • Lists
    Lists
  • Features
    Features
Copyright @ 2026 All Rights Reserved Psychedelic Scene Magazine

Designed & Developed by: SYNC Digital Management

psychedelic Scene

Magazine