“Jesus Lover” brings on the electronic vibes of The Prodigy and the moody elements of Joy Division. There’s a funky Middle-Eastern section that is both dreamy and eloquent. “Dandelion” comes in with a decisively 1960s sound, entrancing jangly guitars, and tambourines. Rousing drums form the beat, with drone-like vocals bringing to mind the Velvet Underground.

“Talking With Jesus” is transcendental and alluring with Middle-Eastern vocals, smooth synths, and a slow, languid feel. “Diary Of A Young Man” brings a punky feel with fuzzy guitars that sound like a spaghetti western, and thrashing drums. Halfway through the tempo, the song does a U-turn–all music stops, and a haunting Indian female vocal comes in. This leads perfectly into the next track, “Bhagavana Najika Cha”, which sounds like a group of laid-back monks chanting with a flute intertwining and weaving through this dreamy sequence track.

The final cut, “Son of Man”, comes in all gangster-sounding, with its plinky plonky piano that reminds me of the theme from the Michael Caine crime-thriller Get Carter. More of the Indian-sounding vocals arrive, completely changing the vibe.