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The Psych Ward–Arborescence by Ozric Tentacles

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  • Bill Kurzenberger
  • February 9, 2024
  • 6:52 am

The Psych Ward–Arborescence by Ozric Tentacles

Arborescence was the fifth studio release by the empyrean instrumental British ensemble Ozric Tentacles. Released thirty years ago in 1994, it was their last studio album to feature keyboardist and original member Joie Hinton as well as drummer Merv Pepler.

The LP kicks off energetically with the thunderous, raucous foray “Astro Cortex.” The oscillating synthesizer gravitates through various permutations, intermixed with an emphatic flute and supplanted by buoyant bassist Zia Geelani and Pepler’s prog rock rhythm section.

The synthetic theme continues in the math-heavy “Yog-Bar-Og” with a syncopated keyboard hook over varying rhythmic time signatures, as Pepler pounds out triplets presumably using double kick pedals. Joie “Ozrooniculator” Hinton’s demented synth wails while soaring majestically throughout the album, especially on the interlude of this nearly ten-minute track. The spotlight momentarily turns to guitarist and co-founder Ed Wynne, the only constant member to persist through the band’s career of forty-one years and counting.

John Egan’s tellurian flute and Hinton’s gentle synth slowly usher in the title track, augmented by bird sounds and Wynne’s fretboard hammer-ons while omitting the rhythm section. “Al-Salooq” adds a Middle Eastern flair that temporarily brings the listener back to Earth amidst the album’s interplanetary journey. Elements of traditional Arabic and Egyptian Saidi music combine with a fluttery flute and relentless flanged bass in a hypnotic whirling dervish fraught with feedback.

The trance-like “Dance of the Loomi” – sans drums and percussion – is highlighted by a repetitious yet infectious bass line that brings back memories of the early days of techno. A hooky electric guitar riff ushers in the frenzied “Myriapod,” as Wynne and Geelani’s axes duel over Hinton’s complex rhythmic flourishes. “There’s A Planet Here” ranges from ethereal environs to relaxed reggaeton to psychedelic dub or psydub.

The album concludes dramatically with the tense and theatrical “Shima Koto.” This finale starts with undertones of the Orient, evoking Spaceport Japan as a launchpad to blast off into the galactic cosmos. The bombastic synthoid oscillation sounds like warring factions of extraterrestrial artificial life forms attempting to assimilate each other.

Arborescence is an otherworldly voyage in early space rock, combining elements of neo-psychedelia and progressive rock with the emerging genres of trance and electronic dance music that soon emanated at the dawn of the millennium. To an extent, Arborescence marked the end of one era for Ozric Tentacles with the imminent departure of Hinton and Pepler, both prominently featured throughout this release. However, Ozric Tentacles have remained indefatigable, persevering through another three decades as the proliferators of limitless mellifluous soundscapes.

 

https://kscopemusic.bandcamp.com/album/arborescence-2020-ed-wynne-remaster

https://www.youtube.com/playlist?list=PLDBC31C8D4A35CF20

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