Skip to content
Facebook Instagram Twitter Youtube

Psychedelic Scene

psychedelic Scene Magazine

  • Features
  • Interviews
  • Reviews
  • Categories
    • Music
    • Art
    • Books
    • Columns
    • Film
    • Lists
    • Podcasts
    • Science
  • Features
  • Interviews
  • Reviews
  • Categories
    • Music
    • Art
    • Books
    • Columns
    • Film
    • Lists
    • Podcasts
    • Science
Navbar
  • Features
  • Interviews
  • Reviews
  • Categories
    • Music
    • Art
    • Books
    • Columns
    • Film
    • Lists
    • Podcasts
    • Science
  • Features
  • Interviews
  • Reviews
  • Categories
    • Music
    • Art
    • Books
    • Columns
    • Film
    • Lists
    • Podcasts
    • Science

The Psych Ward–Arborescence by Ozric Tentacles

PrevPreviousInterview: Nick Saloman of The Bevis Frond
NextPepperland: the Untold Story of the Infamous Psychedelic Rock Venue, pt. 2Next
  • Bill Kurzenberger
  • February 9, 2024
  • 6:52 am

The Psych Ward–Arborescence by Ozric Tentacles

Arborescence was the fifth studio release by the empyrean instrumental British ensemble Ozric Tentacles. Released thirty years ago in 1994, it was their last studio album to feature keyboardist and original member Joie Hinton as well as drummer Merv Pepler.

The LP kicks off energetically with the thunderous, raucous foray “Astro Cortex.” The oscillating synthesizer gravitates through various permutations, intermixed with an emphatic flute and supplanted by buoyant bassist Zia Geelani and Pepler’s prog rock rhythm section.

The synthetic theme continues in the math-heavy “Yog-Bar-Og” with a syncopated keyboard hook over varying rhythmic time signatures, as Pepler pounds out triplets presumably using double kick pedals. Joie “Ozrooniculator” Hinton’s demented synth wails while soaring majestically throughout the album, especially on the interlude of this nearly ten-minute track. The spotlight momentarily turns to guitarist and co-founder Ed Wynne, the only constant member to persist through the band’s career of forty-one years and counting.

John Egan’s tellurian flute and Hinton’s gentle synth slowly usher in the title track, augmented by bird sounds and Wynne’s fretboard hammer-ons while omitting the rhythm section. “Al-Salooq” adds a Middle Eastern flair that temporarily brings the listener back to Earth amidst the album’s interplanetary journey. Elements of traditional Arabic and Egyptian Saidi music combine with a fluttery flute and relentless flanged bass in a hypnotic whirling dervish fraught with feedback.

The trance-like “Dance of the Loomi” – sans drums and percussion – is highlighted by a repetitious yet infectious bass line that brings back memories of the early days of techno. A hooky electric guitar riff ushers in the frenzied “Myriapod,” as Wynne and Geelani’s axes duel over Hinton’s complex rhythmic flourishes. “There’s A Planet Here” ranges from ethereal environs to relaxed reggaeton to psychedelic dub or psydub.

The album concludes dramatically with the tense and theatrical “Shima Koto.” This finale starts with undertones of the Orient, evoking Spaceport Japan as a launchpad to blast off into the galactic cosmos. The bombastic synthoid oscillation sounds like warring factions of extraterrestrial artificial life forms attempting to assimilate each other.

Arborescence is an otherworldly voyage in early space rock, combining elements of neo-psychedelia and progressive rock with the emerging genres of trance and electronic dance music that soon emanated at the dawn of the millennium. To an extent, Arborescence marked the end of one era for Ozric Tentacles with the imminent departure of Hinton and Pepler, both prominently featured throughout this release. However, Ozric Tentacles have remained indefatigable, persevering through another three decades as the proliferators of limitless mellifluous soundscapes.

 

https://kscopemusic.bandcamp.com/album/arborescence-2020-ed-wynne-remaster

https://www.youtube.com/playlist?list=PLDBC31C8D4A35CF20

Gallery

Recent Articles

The five members of The Crystal Teardrop sitting or standing in a flowery clearing in a forest
Interview with Alexa Rose of The Crystal Teardrop

Interview with Alexa Rose of The Crystal Teardrop

•
October 23, 2026
Podcast: Fred Grover, M.D.

Podcast: Fred Grover, M.D.

•
October 21, 2026
The four long-haired members of Peaceful Retreat with a psychedelic projection on them.
Voyager by Peaceful Retreat: Album Review

Voyager by Peaceful Retreat: Album Review

•
October 18, 2026
PrevPreviousInterview: Nick Saloman of The Bevis Frond
NextPepperland: the Untold Story of the Infamous Psychedelic Rock Venue, pt. 2Next
Loading...
  • Interviews, Music

Interview with Alexa Rose of The Crystal Teardrop

  • Riffindots
  • October 23, 2026
  • No Comments
  • Features, Podcast

Podcast: Fred Grover, M.D.

  • Jill Sitnick
  • October 21, 2026
  • No Comments
  • Music, Reviews

Voyager by Peaceful Retreat: Album Review

  • Piotr Dudzikowski
  • October 18, 2026
  • No Comments
  • Columns, Music, Vinyl Relics

Vinyl Relics: Gandalf

  • Farmer John
  • October 15, 2026
  • No Comments
  • Features

Why Psilocybin Medicine Is Not One Size Fits All

  • Rhonda DeSantis
  • October 12, 2026
  • No Comments
  • Music, Reviews

Come Home To Me by Anton Barbeau: Album Review

  • Riffindots
  • October 9, 2026
  • No Comments

Gallery

Leave a Comment Cancel reply

Sign up for our Newsletter

Sign up for our mailing list to receive updates on trending stories, featured music articles, artist highlights and much more!

Contact Us

psychedelic Scene

Magazine

  • Home
    Home
  • About Us
    About Us
  • Terms and Conditions
  • Contact Us
    Contact Us
  • Art
    Art
  • Books
    Books
  • Music
    Music
  • Film
    Film
  • Interviews
    Interviews
  • Reviews
    Reviews
  • Lists
    Lists
  • Features
    Features
Copyright @ 2026 All Rights Reserved Psychedelic Scene Magazine

Designed & Developed by: SYNC Digital Management

psychedelic Scene

Magazine