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Slipper imp and the shakaerator by Babe Rainbow–Album Review
Slipper imp and the shakaerator by Babe Rainbow–Album Review
Babe Rainbow’s new album, set for release on April 4th, lives up to the spectral quality of its name while remaining firmly grounded in its influences. From the refracted optical phenomenon in the band’s moniker to the obscure farm implements referenced in the album titles Slipper Imp and Shakaerator, this latest effort blends dreamy psychedelia with an earthy, organic feel.
The album’s eleven tracks unfold with purpose and intention, offering a mix of ethereal, hypnotic melodies and infectious grooves. Some songs end too soon, leaving the listener longing for more, but the journey is undeniably compelling.
The opening track, “What is Ashwagandha,” sets the stage with its slinky, irresistible vibe, paving the way for a collection of cool, psych-infused pop songs. Tracks like “Now and Zen” and “Apollonia” evoke the Canterbury Scene of the late ’60s and early ’70s, showcasing finely tuned vocal harmonies and a warm, melodic sensibility.
One of the standout moments comes with “When the Milk Flows,” where Miles Myjavec’s percussion and flute work channel the spirit of Traffic at their peak. Another highlight, “Aquarium Cowgirl,” delivers a blissful psych-pop experience with layered guitar textures and rich vocal arrangements.
Meanwhile, “Mt. Dub,” featuring guest vocalist Stu Mackenzie of King Gizzard & the Lizard Wizard, slows things down with a reflective, groove-heavy feel that defines much of the album’s tone. Throughout, folk-inflected acoustic guitar blends seamlessly with contemporary production elements like beatboxes and processed vocals, creating a dynamic contrast.
Jack Crowther’s understated guitar work provides the backbone for the album’s dreamy soundscapes, allowing the band’s imaginative musical ideas to shine. With stellar production, an ethereal yet comforting atmosphere, and an unshakable connection to its ‘60s roots, Slipper Imp and Shakaerator make for an engaging listen. Unpretentiously modern yet steeped in vintage influences, Babe Rainbow’s latest effort is a welcome addition to the psych-pop canon.
Izzie Austin
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