Vinyl Relics: Black Kangaroo by Peter Kaukonen
Vinyl Relics: Black Kangaroo by Peter Kaukonen
The Kaukonen household was full of musical talent. Jorma went on to become an integral part of the San Francisco music scene of the 60’s with that little band he was in called Jefferson Airplane.
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But he wasn’t the only Kaukonen who mastered the 6-string. His younger brother Peter may not be as well known, but his talent is unmistakable.
You can thank his father, who was a career diplomat and a far east Asian expert for his appreciation of diverse musical genres. He grew up listening to the likes of composers Edgard Varèse and Bach. Living overseas, he recalls “sitting in a room in Pakistan with a group of musicians cross-legged on the floor playing purification music”. By the time he was around 9, his family moved to the Philippines. He discovered Chess Records and the likes of Little Walter, Howlin’ Wolf and Muddy Waters. “And I listened to that and I thought ‘this is really profound’, when everyone else was listening to Frankie Avalon”. There were also country influences, like The Carter Family, and folk music–real folk music. “Folk music when there were real folks”, he said, “not just college students”.
With an undeniable passion for music, he picked up the guitar and taught himself how to play. “I thought it would help me get laid,” he joked. By 1963, he found himself at Stanford University playing coffee houses. School wasn’t for him at the time, so he left and started playing some sessions in L.A. By then, folk-rock was becoming the predominant style of choice for musicians in the area. “When people learned that if you amplified guitars, you could make more noise and maybe get laid quicker, then that turned into folk-rock which led to the San Francisco nascence of Airplane, Dead, Quicksilver, Big Brother and defined the San Francisco sound.”
Eager to join the fun, he moved to the Bay Area to start his own band, Black Kangaroo. By this time, Jefferson Airplane’s contract had expired, and they negotiated a distribution deal for their own label, Grunt Records. The idea was to release the band’s material, solo albums, and some from friends and other musicians in the area they admired.
Black Kangaroo – the band – began recording what was intended to be their debut album. However, members of the band slowly dropped out until ultimately it was only Peter left, so he ended up playing most of the instruments himself and released it as a solo record, titled Black Kangaroo instead. He said, “Those were the early days of power trios. Hendrix had blazed the way. Cream had already appeared…that’s what I was playing. It was a blend, because I also played the acoustic finger style pieces, so that completely confused people and contributed to my lack of commercial success”.
Commercial success or not, Black Kangaroo is a guitar player’s dream. It’s chock full of blistering blues-rock leads, but balanced with softer acoustic moments, too. There are several highlights, but the two that I would point out are “Postcard”, which proves that aside from being a master of the fret board, this cat could also pen a tune. And the finale is what would go on to become his signature tune, the beautiful instrumental acoustic piece “That’s a Good Question.” When he played that one in the early days before the album was out, people would always say, “that’s a good song, what’s the title?”, to which he’d respond, “That’s a Good Question”.
After the album was released, he put together another version of the band and hit the road. However, the album never got the promotion it deserved, and it sank unnoticed. “Grunt’s forte was not promotion”, Peter said. “There was not co-ordinated live appearances coinciding with radio play or whatever. It didn’t happen. When I toured, I would be in places where there weren’t albums, or I wasn’t getting radio play, and nobody knew”.
Disheartened by the whole ordeal, he basically moved back into session work. That’s him on Paul Kantner’s first solo album Blows Against the Empire, a vastly underrated one in the Airplane oeuvre (and also nominated for a Hugo Science Fiction Award). He also worked with Link Wray and Terry Allen and later joined a version of Jefferson Starship.
After several years he decided to leave the music biz behind. He went back to school, earning a PhD in Psychology, a field in which he worked for many years. Eventually, the lull of music brought him back and he set up a small recording studio in his home and began recording again. He joked “that’s when I made albums in this house here, which also bombed, thank you very much.”
He’s released several solo albums that are available on his website peterkaukonen.com.
Peter’s career deserved more attention–that’s undeniable. But during our interview I didn’t get the sense of any bitterness, more just a “that’s the business for ya” kind of mentality. His razor-sharp humor had me laughing throughout the couple of hours we talked. And in what became a cool moment, he treated me to a spontaneous performance, which proved the cat can still play (I included a snippet of that in the show).
Peter Kaukonen with Black Kangaroo (1972)
Black Kangaroo is an album that lands with one foot in the Bay Area sound, with the other in a harder, more blues-rock vein, which means fans of Airplane, Hendrix and Cream, etc. will find plenty to enjoy.
These under-the-radar types of albums are what my show Vinyl Relics is all about. Available on Spotify, Apple and every other podcast platform, you can catch the full story of Black Kangaroo – complete with Peter’s amazing and often hilarious commentary in epysode 70 (the ‘Y’ is on purpose!).
I found Black Kangaroo several years ago when I picked up a vinyl collection of thousands of records. As I was organizing them, I was pretty excited when I came across it in one of the many bins I was sorting through. As a huge Airplane fan, I knew the Kaukonen name, of course, but wasn’t aware that Peter had released an album himself. I put it on the platter and truly enjoyed what I heard. Since then, it sees regular rotation in my record room.
Give this one a spin for yourself and see what you think. I hope you dig it as much as I do.
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