Bill Kurzenberger 
The Australian psych band favors traditional rock trappings over microtonal oddities on their latest and most accessible release.
The Vermont-based band nods to their zany past while displaying resolute maturescence on their first new studio release in four years.
Dead & Company, the prevailing successor to the Grateful Dead, rekindles their live concerts with riveting and nostalgic views at the unparalleled Vegas venue
Phish dazzled concert-goers at the immersive Sphere in Las Vegas.
The Doors second album Strange Days is a superbly executed psychedelic rock gem that includes multiple classic rock standards and Jim Morrison’s iconic shamanic swagger.
England’s Ozric Tentacles released their fifth album Arborecsence, a mostly instrumental, progressive and psychedelic space rock album in 1994.
In spite of Jerry Garcia’s death, the Grateful Dead has been continuing in one form or another for nearly thirty years–the same amount of time the Dead performed with original leader Jerry Garcia.
Jack Bruce’s son, Malcolm Bruce, talks about the Heavenly Cream project that was put together by the late Pete Brown as an acoustic tribute to Cream and features Paul Rogers, Ginger Baker, Joe Bonamassa, Bernie Marsden, Pee Wee Ellis, and Malcolm on bass, piano, and vocals.
The unmitigated 1966 debut album from the 13th Floor Elevators essentially begat the psychedelic rock sub-genre.
Austin’s neo-psychedelic indie-pop band Tele Novella recently dropped their third and latest album Poet’s Tooth, a sun-baked, Southwestern affair full of whimsical country-psych tunes.
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