Explore Anton Barbeau’s Come Home to Me, a maze of iridescent psychedelia, Mellotrons, layered vocals, and adventurous guitars featuring members of XTC.

The Mellons’ The Mellons in Color blends sunshine pop, baroque arrangements, and Monkees-inspired TV nostalgia into an inventive concept album.

Rival Sons guitarist Scott Holiday explores alternative rock, psychedelia, and space-rock textures on HOL1D4Y’s richly produced Topology.

Ty Segall’s Chrome blends classic rock, fuzzed-out psych, and existential dread into another thrilling chapter of his singular rock ’n’ roll vision.

Elephant Stone’s ASHA transforms grief into hope, blending psychedelic rock, proto-punk, and introspective songwriting on a deeply emotional album.

Strawberry Alarm Clock returns with Where’s One?, blending psychedelic pop, jazz-influenced textures, and bold experimentation to expand the band’s legacy, not merely revisit it. A warmly personal, deeply contextual review that highlights collaborative creativity, genre-pushing arrangements, and two daring Beatles covers.

Holy Wave’s i’m DADA is an immersive neo-psychedelic concept album blending shoegaze, experimental sound collage, and deeply personal songwriting.

Our review of Robyn Hitchcock’s The Confuser explores its psychedelic brilliance, introspective songwriting, and connections to his remarkable career.

Johnny Damron reviews Jaco Jaco’s On the Levee, a dreamy neo-psychedelic album rich with atmosphere, introspection, and emotional depth.