Brian Kuhar 
Hypnotise the World, the latest album from Lords of Form, led by ex-Hawkwind member Niall Hone, offers a dynamic blend of space rock, heavy beats, and hypnotic synths, showcasing Hone’s creative vision.
Goat, an anonymous Swedish band, blends psychedelic rock with world music on their seventh studio album, featuring guitar-driven rhythms and ethnic fusion.
Mercury Rev’s ninth album, Born Horses, marks a bold shift from their previous sound, with Jonathan Donahue’s signature high-pitched vocals replaced by a huskier, poetic tone. Featuring lush instrumentation and reflective spoken word, this atmospheric album explores themes of lost love, nature, and personal growth
Finnskogen, a new four-piece band from Norway, recently released a concept album in which all of the songs are name after plants native to the Finnskogen from which they hail.
In the 2010 sci-fi horror film Beyond the Black Rainbow, a young woman under heavy sedation tries to escape from a secluded, quasi-futuristic commune.
The Dandy Warhols are back with Rockmaker, a new album that moves away from synth elements and into a more rock-inspired sound.
In this elegant eulogy of the late singer Damo Suzuki, writer Brian Kuhar reflects on what the mostly unheralded musical legend meant to him.
Considered psychedelic rock at the time of release (1967), The Parable of Arable Land is now considered more of a precursor to avant/noise rock.
Inner Marshland, the 2nd album from The Bevis Frond, is an unheralded gem that is must-hear material for any fan of psychedelic rock from any era.
Nick Saloman and The Bevis Frond are back with a new single, “Leb Off”, and have a new album, Force of Nature, coming our way on March 1st.
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