Acid Dad: Take It from the Dead–Album Review
Acid Dad’s new album Take It from the Dead is a solid outing and an enjoyable listen from a young-ish band.
Jason LeValley
Psychedelic Skeletons in the Closet–Diana Ross and the Supremes
Psychedelic Skeletons in the Closet–Each week famed writer Serene Dominic discusses a different 60s artist who makes a psychedelic record when maybe it’s not really their thing. This week the subject is Diana Ross and the Supremes.
Psychedelic Skeletons In The Closet—Dave Clark Five
Everybody who made a record before 1967 has a bad psychedelic moment. The Dave Clark Five had three.
Interview: Carmine Appice
Carmine Appice, the legendary drummer, who began his career with psychedelic rock band Vanilla Fudge, opens up about his teen years, finding religion, and the new hard-rocking record from his band Cactus.
Psychedelic Skeletons in the Closet–Gerry and the Pacemakers
Psychedelic Skeletons in the Closet–Each week famed writer Serene Dominic discusses a different 60s artist who makes a psychedelic record when maybe it’s not really their thing. This week the subject is Gerry and the Pacemakers. Gerry Marsden, who passed on earlier this year, lamented the hippie invasion on the group’s last desperate attempt at relevance.
Psychedelic Skeletons in the Closet–Herman’s Hermits
British Invasion band Herman’s Hermits recorded a couple of psychedelic songs before their career nose-dived.
Interview: Dylan Sizemore of Frankie and the Witch Fingers
Dylan Sizemore discusses how his band Frankie and the Witch Fingers have been spending their time during the lockdown, playing the Levitation Festival, and what makes psychedelic music psychedelic!
Interview: Andrew Rieger of Elf Power
Andrew Rieger has been guiding his warbly neo-psychedelic band Elf Power, one of the groups in the much-respected Elephant 6 collective, since the mid-90s. He also co-owns Orange Twin Records of Athens, Georgia, with EP band-mate Laura Carter.
The Rock n’ Roll Hall of Fame Announces New Inductees
One thing we’ve noticed about the Rock n’ Roll Hall of Fame is that it overdoes it in terms of inclusiveness.
