Strange Weather by Levitation Room–Album Review
Strange Weather by Levitation Room–Album Review
The 2010s saw a resurgence of neo-psychedelic rock, as the decade spawned copious bands whose most common and distinct trait was the use of reverb. While this trait may have helped the genre congeal, its overuse became abundant. Simply putting massive amounts of reverb on the vocals and guitars doesn’t necessarily make something psychedelic. The best psychedelia is more likely to come from an organic and innovative approach rather than simply relying on formulaic settings. With the glut of bands toeing the line this way, neo-psych has gotten itself into a rut. Fortunately, there’s a way out– and Levitation Room demonstrates that with its new album Strange Weather.
Strange Weather is the third full-length from the East LA quartet who came together roughly a decade ago. Founding members Julian Porte (singer/guitarist), Gabriel Fernandez (lead guitar), and Johnathan Martin (percussion) are joined by new bassist Kevin Perez for this effort, and the result is glorious. After years of being suffocated by COVID and dispirited by a cultural malaise, we are treated to Strange Weather, a much-appreciated, feel-good affair that offers hope and absolution to a despondent society. It’s sunshine in a bottle. Levitation Room has shed their skin and slithered into something light and life-affirming. Taking their cues from 60s pop-rock, the record is upbeat but low-key — happy, but not annoyingly so. They implement 60s-style background harmonies and breezy melodies. It’s the sound of hope– like something good might finally happen in the world.
The album kicks off with the first of four singles. “Scene for an Exit”, curiously titled for an opening track, immediately establishes the new optimistic direction the band has taken. With a stomping beat and a propulsive bassline, this tune is pure ear candy. It’s bright, summery pop that maintains a lysergic sheen.
“Cool It, Baby”, the second single, is catchy, melodic funk with sticky-sweet backing vocals. Levitation Room takes a page from the AM pop playbook here as the song hearkens back to the era of The Jackson Five and Ozark Mountain Daredevils.
The band managed to make third single, “Heaven”, sound… well, heavenly. “This song was intentionally created to make you feel like you’ve been enveloped by something sweet–-the connection between two hearts and souls”, they say. This is chill, sunshine pop with some accomplished guitar licks.
Ivan Trejo
Most recently, the band dropped its fourth single, “Revelations”, which rocks a bit harder than the other songs on the album. It’s a riff-rock tune with a saccharin melody, soaring lead guitar, and solid rock drumming.
The title track could easily be the next single. At less than two and a half minutes, it’s catchy, melodic, dreamy, and steeped in 60s sonics.
Strange Weather is a definite change in direction for Levitation Room. Despite gravitating toward a poppier sound, the band seems to be more on a mission of spreading cheer than catering to the masses. It’s not egregiously produced by any means and it still manages to retain a lo-fi psychedelic vibe. Let’s hope other reverb-heavy neo-psych acts follow Levitation Room’s lead, step out of the mold, and open up their sound to other possibilities. Strange Weather is a winner.
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