Psychedelic Porn Crumpets Release New Single and Launch US/European Tour
- Allie Iverson
Heavy space-rock quartet Technicolor Blood unleashed their first full-length LP Evolution Now on April 25th. The Montreal band, consisting of Martin Dupras on vocals, guitar, and synths, Dominic Leclerc on bass, Carl Bedard on drums, and newest member David Hardy on guitar, deals in heavy doses of sludgy, plodding, groove-based guitar rock reminiscent of bands like Black Sabbath or stoner rock legends Kyuss. But the group is adept at soaring off into the stratosphere in a way that feels like Hawkwind or Josh Homme’s other more melodic outfit, Queens of the Stone Age.
The album overflows with a wildly varied array of guitar riffs. When the band moves from dense, gloom-and-doom riffage into an ascending staircase of melodic sweetness, the effect is breathtaking. The interplay between lead and rhythm guitars is excellent throughout. Drenched in fuzz and wah-wah, the guitars weave together with the synths to form a heavy layer that paves onto the bedrock of a rhythmic groove set by Leclerc and Bedard. Dupras’ effects-laden vocals serve up punchy punk melodies but are always in service to the song. The two instrumentals, “Year of the Saints” and “Anaadi”, demonstrate the contrasts in the band’s sound, but both still manage to ride the chunky grooves that define the group.
The opening track “Crash Program” starts strangely mellow before transitioning to a punk verse and a thunderous breakdown at the end. “Collapse City” with its push/pull guitar leads, sounds like a hybrid of Dinosaur Jr. and Husker Du. “Mischief of Rats” stomps in with Sabbath-like force before springing into bouncy guitars and vocals, pulling you back into the muck before closing out with more savage sludge
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The album’s title Evolution Now is particularly apt for Technicolor Blood. The band finds its groove on this record with sounds of the past, present, and future rolled into one. The unique combination of elements on this album will appeal to fans of the bands mentioned above, as well as anyone who likes their musical excursions on the heavier, more experimental side, but with melodies and great riffs.
This reviewer looks forward to the next phase in the evolution of Technicolor Blood.
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