Jason LeValley 
One psilocybin researcher in Colorado provides the inside scoop on what’s he’s doing in the labs to ensure the best magic mushroom user experience.
The sole 1968 album by Tomorrow launched the career of guitar virtuoso Steve Howe and remains an endearing slice of British Psychedelia.
Due to neuroplasticity, psychedelics may lead to an expanded consciousness that allows for evolutionary growth in humans.
Steve Kilbey discusses the new album by his band The Church, whether he considers the band psychedelic, and why he thinks he’s got Asperberger’s Syndrome.
Cajuca is a Brazilian artist who uses intense colors in his work and believes them to have a therapeutic effect on the viewer.
Australian band The Church has been around since 1980 and just released its first-ever concept album The Hypnogogue.
Sam Coomes discusses themes that run through his new album with band Quasi, who dropped its first album in 10 years on Friday, and how psychedelics have influenced his work.
After the death of Jeff Beck, editor-in-chief Jason LeValley reflects on his love for the psychedelic classic Roger the Engineer, the 1966 album that showcases Beck’s guitar wizardry.
Small town artist Wallace Ayers is inspired by music more than other art work and tries to convey sound into image.
Love’s Forever Changes, an album that made little impact upon release, is a timeless classic that gets better on repeated listens.
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