Bebaloncar Charts New Terrain with “Words,” the Hypnotic First Single from Love to Death
- Georgia P. Taylor
In the world of electronic music, 2021 will be remembered as a year of contradictory, ever-shifting trends – evoking carefree images of the past, escapist visions of the future, and the ever-mutating shape of the present. It was a time of hyperpop, nostalgia for ’90s European raves, a renewed interest in “African” beats, and a renaissance of cross-platform collaborations. Two thousand twenty-one marked the peak of instant career ascents – from DIY musicians recording in rented bedrooms to electronic music stadium stars. It seems this year became a pivotal moment in the evolution of electronic music. For many people locked in their homes during the COVID-19 pandemic, music became a substitute for life itself. But perhaps the most important cultural achievement of 2021 was the emergence of several key musicians and singles – artists creating top-class music not by blindly following trends but by forging unique, self-defined creative paths.
One of the brightest electronic singles of 2021 was “Ulybki” by Igguana, a London-based musician whose real name is Timur Gurbanov. “Ulybki” is a slightly melancholic sonic canvas that blends an obsessive, rain-fading rhythm; a deliberately detached male spoken-word vocal; and a carefully constructed atmosphere of thick urban spleen – an impending end to a carefree summer. The track begins like a hungover monologue into the void – powerless, yet defiant. And as the minutes pass, it grows increasingly impersonal and meditative, as if words begin to lose their direct meaning. It dissolves into rhythm, becoming a pure play of overtones and consonants. Iguana offers a unique musical experience. On one hand, he seamlessly merges hip-hop, funk, rock, and dance electronics; on the other, he fully harnesses the impressionistic potential of these traditionally expressionistic genres.
What makes Igguana unique is his dedication to conveying a specific, delicate sonic mindset to the listener. “Ulybki” is a kaleidoscope of perceptual effects – memories, sensations, fleeting moments, sadness, and frustration. Igguana sounds fantastically contemporary, yet he deliberately avoids producer clichés and formulaic songwriting tricks. Promoting a vision that’s truly one’s own is a bold creative strategy in popular music. Often, such ambition masks something lo-fi or marginal, but “Ulybki” is undeniably a professionally crafted track. It allows one to forget oneself in the moment, to feel a sharp and sweet ache in the heart, and to experience a sense of unity with an overwhelming – if not always kind – world. Thanks to its sonic multi-layeredness, lyrics that gently allude to transcendence, and a subtle experimental approach to sound, the single carries a powerful psychedelic aftertaste – one that doesn’t hit you head-on but rather catches up with you like an echo or a slow-acting remedy.
Igguana’s fragile and brittle beats are engineered to be felt physically: like a pulse, a tingling in the limbs, or syncopated breathing after a sudden sprint. At the same time, this single is a hymn to emptiness – a loss of direction and desire. The song’s protagonist finds inner strength in his vulnerability and shares that discovery with us – this secret strength to be one’s own anchor, regardless of whether the world smiles at us or not. A smile is something utterly concrete yet deeply metaphorical – an elusive sign that the world might be offering its approval or support.
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