Skip to content
Facebook Instagram Twitter Youtube

Psychedelic Scene

psychedelic Scene Magazine

  • Features
  • Interviews
  • Reviews
  • Categories
    • Music
    • Art
    • Books
    • Columns
    • Film
    • Lists
    • Podcasts
    • Science
  • Features
  • Interviews
  • Reviews
  • Categories
    • Music
    • Art
    • Books
    • Columns
    • Film
    • Lists
    • Podcasts
    • Science
Navbar
  • Features
  • Interviews
  • Reviews
  • Categories
    • Music
    • Art
    • Books
    • Columns
    • Film
    • Lists
    • Podcasts
    • Science
  • Features
  • Interviews
  • Reviews
  • Categories
    • Music
    • Art
    • Books
    • Columns
    • Film
    • Lists
    • Podcasts
    • Science

Artist Spotlight: Karl Ferris

PrevPreviousThe Grease Ladder by Black Market Karma: Album Review
  • Jason LeValley
  • November 15, 2026
  • 9:27 am

Artist Spotlight: Karl Ferris

When Karl Ferris first contacted me via Facebook, his name didn’t ring a bell.  I get a lot of kooks reaching out to me on that platform, so I didn’t even respond the the first time.  After he wrote me a second time, claiming to be an originator of the “original psychedelic scene,” I looked him up.

Blown away!  His photography and designs, particularly his album covers, are iconic.  He did the cover for The Jimi Hendrix Experience’s Are You Experienced, Axis: Bold as Love, and Electric Ladyland, Donovan’s A Gift from a Flower to a Garden and Wear Your Love Like Heaven, and shot psychedelic promotional photos of Cream.

Aside from the beautiful, psychedelic imagery of his work, one thing stood out to me–his age.  I noticed that he was born in 1948, which meant that when he was shaping the visual architecture of the late 60s, he was basically just a kid.  In fact, when his first album cover, Evolution by The Hollies came out, Ferris was only 18 or 19.

My apologies to Karl–I should have recognized his name.  The man’s a legend.

Below is Hypergallery’s bio on Karl Ferris.

 

Karl Ferris is best known as the principal innovator of psychedelic photography. An English photographer beloved of the British Rock elite of the 1960s – Eric Clapton, Cream, Donovan, The Hollies and Jimi Hendrix – Ferris was sought after as a style consultant and personal photographer, to help create their public images we are now so familiar with.

Seeing Karl Ferris’ portfolio for the first time, in 1967, Jimi Hendrix said

You’re doing with photography what I’m doing with music – going far out beyond the limits and blowing minds.

Ferris went on to develop an intimate creative relationship with Hendrix, and other musicians and movers, that bore some of the most iconic imagery of the 1960s.

Having cut his photographic teeth as assistant to Master photographer Harold Nygard in Canada, Ferris’ creative explorations at the vanguard of the swinging sixties was equally indebted to his passion for fashion, and his time immersed in the Beatnik lifestyle of the early 1960s.

Armed with a portfolio of shots of jazz musicians and models from Vancouver, Ferris returned to the UK and began his photographic career in style – arriving on the scene at the wheel of his brand new Triumph Spitfire.

 

Psychedelia

A spell in Ibiza in 1964 photographing summer fashions and partying with the likes of Bridget Bardot and Francois Hardy was followed by several sessions for British Vogue. During this time Ferris developed his experimental way with colour and made more connections in the flourishing London music scene. Then, in 1966, the Psychedelic scene really took hold, along with its own performance enhancing drug: LSD.

Ferris discovered The Fool in Ibiza and they opened a studio together which had a huge influence on the psychedelic scene in London at the time – they worked with The Beatles in that short period, among others.

A master innovator, Ferris took his experience with infrared technology in the RAF and his instinct for boundary pushing to the epicentre of psychedelic scene, hitting his stride just as the movement took hold. His light shows drew the attention of Paul McCartney and Pink Floyd, in their early days in Notting Hill. His innovations in photography and fashion secured commissions from the likes of the Walker Brothers, The Hollies, Donovan and of course Jimi Hendrix. His legacy is undisputed and unforgettable.

I think psychedelia is really coming back into vogue. The resurgence of interest in the counter-culture that began in the 1960s, the benefits for our way of thinking, all these things that I was part of, has new relevance now.

 

Jimi loved my work and we really got on famously – we had both lived in Vancouver and swapped stories about living there.

 

I told him if I was to do the cover for him then I would really need to absorb his music for inspiration. So he brought me along to the Olympic Studios where he was recording Axis Bold As Love and I was blown away.

 

The whole lifestyle seemed to change in the summer of 1966. People were experimenting with mind expanding drugs, and I was starting to respond to all of this.

 

Karl Ferris

Karl Ferris

Karl Ferris

Are_You_Experienced_-_album cover

Karl Ferris

Karl Ferris

Karl Ferris

Gallery

Recent Articles

Artist Spotlight: Karl Ferris

Artist Spotlight: Karl Ferris

•
November 15, 2026
The Grease Ladder by Black Market Karma: Album Review

The Grease Ladder by Black Market Karma: Album Review

•
November 12, 2026
Profile of a yawning man made of digital-looking material with blue backdrop
How the Attention Economy is Failing Human Consciousness

How the Attention Economy is Failing Human Consciousness

•
November 9, 2026
PrevPreviousThe Grease Ladder by Black Market Karma: Album Review
Loading...
  • Music, Reviews

The Grease Ladder by Black Market Karma: Album Review

  • Johnny Damron
  • November 12, 2026
  • No Comments
  • Features

How the Attention Economy is Failing Human Consciousness

  • Lindsay Kent
  • November 9, 2026
  • No Comments
  • Music, Reviews

Denatured Blue by Adjustable Mustard

  • A.J. Kaufmann
  • November 6, 2026
  • No Comments
  • Features, Podcast

Podcast: Diana Colleen

  • Jill Sitnick
  • November 4, 2026
  • No Comments
  • Music, Reviews

Interference by The Oscillation: Album Review

  • Johnny Damron
  • November 2, 2026
  • No Comments
  • Music, Reviews

Lacuna by The Church: Album Review

  • Pete Bratach
  • October 30, 2026
  • No Comments

video

Gallery

Leave a Comment Cancel reply

Sign up for our Newsletter

Sign up for our mailing list to receive updates on trending stories, featured music articles, artist highlights and much more!

Contact Us

psychedelic Scene

Magazine

  • Home
    Home
  • About Us
    About Us
  • Terms and Conditions
  • Contact Us
    Contact Us
  • Art
    Art
  • Books
    Books
  • Music
    Music
  • Film
    Film
  • Interviews
    Interviews
  • Reviews
    Reviews
  • Lists
    Lists
  • Features
    Features
Copyright @ 2026 All Rights Reserved Psychedelic Scene Magazine

Designed & Developed by: SYNC Digital Management

psychedelic Scene

Magazine