The Psych Ward–Strange Days by The Doors
The Psych Ward–Strange Days by The Doors
Strange Days was the second studio release by iconic psych rock band The Doors. Released in September 1967– just eight months after the self-titled debut, their sophomore LP accorded the opportunity to stretch their eccentric wings and avant-garde impulses, resulting in an all-time classic.
āStrange days have found usā warily intones Jim Morrison on the eponymous lead track. The watery delay on his vocal was innovatively produced by Paul Rothchild and Bruce Botnick, who piped Jimās voice through a Moog synthesizer played by Morrison himself. Ray Manzarekās spooky Hammond organ lines and John Densmoreās emphatic percussion provide melodramatic undertones on this unsettling prelude. Session bassist Doug Lubahn contributes creative bass lines on several tracks, embellishing the ninth note on the mellifluous āYouāre Lost Little Girl.ā
The pace quickens with the minor blues rocker āLove Me Two Times,ā featuring a catchy guitar hook by Robby Krieger, Manzarekās punchy harpsichord lead, and staccato turnarounds. On the oddball “Unhappy Girl”, Ray plays the two-hand Vox keyboard intro backward, while Kriegerās slide guitar mimics a voice exclaiming āoooohā to start each phrase.
Morrisonās penchant for dramatic poetry is highlighted for the first time on record with the terse and psychotomimetic āHorse Latitudes.ā Atmospheric winds and hallucinogenic inflections permeate this downright freaky track as engineer Botnick hand-wound the tape creating a varispeed effect. āMoonlight Driveā is guided by Rayās piano, Robbyās tasty slide guitar lead, and evocative lyrics describing a romantic trek illuminated by a lunar orb.
Awkward alienation envelops āPeople Are Strange,ā an accessible rocker and the album’s highest-charting single. āMy Eyes Have Seen Youā patiently builds into a fuzzy foot-stomper as Jim harmonizes with himself at its peaks while āI Canāt See Your Face In My Mindā gently meanders with the uncharacteristic inclusion of marimba by Manzarek.
āWhen The Musicās Overā concludes the album with a chaotic masterpiece, perhaps their finest opus (rivaled only by āThe Endā). Supplanted by hypnotic instrumentation, Morrisonās forlorn baritone ranges from provocative crooning to primal wails. The song surges and escalates from trance-inducing to turbulent discord to an astonishing climax.
Strange Days is an aptly bizarre release showcasing The Doors in their finest hour. Morrisonās moody machismo is betrayed by themes of loneliness and trepidation, amplified by Densmore, Manzarek, and Kriegerās musical wizardry. This LP inspired me in my teens to delve into the alluring mysticism of late ā60s psychedelic rock and to perform The Doorsā music, particularly āWhen The Musicās Overā as a personal favorite. It is a venerable album worthy of frequent revisiting.
Related: The Psych Ward–Waiting for the Sun
The 100 Best Psychedelic Rock Albums
The Top 100 Psychedelic Rock Artists
Gallery
Recent Articles
Interview: Levitation Room
ā¢
March 28, 2025

Loading...
Fantastic Fungus, Lovely Lysergamides, Magic Mescaline, and Tons of Other Terrific Tryptamines
- KM Schaeffer
Interview with Dorothy Moskowitz of The United States of America
- Jason LeValley