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Music

Interview–Alan Bishop of Sun City Girls

  • Jason LeValley
  • March 21, 2026
  • No Comments

Alan Bishop of Sun City Girls discusses Phoenix’s early underground scene, radical independence, global influences, and the evolving meaning of psychedelia.

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Psychotropic Cinema: 200 Motels

  • Jeff Broitman
  • March 15, 2026
  • 2 Comments

A review of 200 Motels (1971), Frank Zappa’s surreal cult film blending rock, orchestral music, satire, and psychedelic visual experimentation.

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“Alice” by Morrison Graves–Single Review

  • Riffindots
  • March 11, 2026
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Portland psych band Morrison Graves return with “Alice,” a Doors-inspired single blending sitar, Farfisa, and cosmic storytelling from their upcoming EP.

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Vinyl Relics–Story by Honeybus

  • Farmer John
  • March 7, 2026
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Explore the story behind Honeybus and their cult psych-pop album Story, featuring the hit “I Can’t Let Maggie Go” and insights from Colin Hare.

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The Circle is Red by White Noise Sound–Album Review

  • Riffindots
  • March 2, 2026
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Relive White Noise Sound’s explosive 2011 club performances on The Circle is Red—a high-volume, psychedelic live LP packed with fuzz, texture, and post-punk intensity.

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Unicorn by Rio Kosta–Album Review

  • Brian Cooper
  • February 24, 2026
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A warm, genre-blending debut, Unicorn by Rio Kosta fuses soul, funk, psychedelia, and global influences into a laid-back, groove-filled escape.

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Vinyl Relics: Black Kangaroo by Peter Kaukonen

  • Farmer John
  • February 21, 2026
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A deep dive into Black Kangaroo, Peter Kaukonen’s underappreciated blues-rock gem—blistering guitar, Bay Area roots, and the story behind a lost classic.

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Immer Für Immer by Flying Moon in Space–Album Review

  • Riffindots
  • February 13, 2026
  • No Comments

German group Flying Moon in Space return with Immer Für Immer, a frenetic, genre-bending third album packed with post-punk tension, B-movie atmospherics, and emotional depth—led by the stormy centerpiece “Where Are You?”

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Vinyl Relics: Fields by Fields

  • Farmer John
  • February 10, 2026
  • No Comments

Fields’ lone album stands out for its fearless side-long psych-soul epic “Love Is the Word,” derailed by bad management and a missed Woodstock moment.

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