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“Alice” by Morrison Graves–Single Review

PrevPreviousVinyl Relics–Story by Honeybus
  • Riffindots
  • March 11, 2026
  • 1:18 am

“Alice” by Morrison Graves–Single Review

There’s an 18th-century proverb that says, “March comes in like a lion and (goes) out like a lamb.” In this case, March came in like a LIZARD! Portland’s own Morrison Graves just released a new single titled “Alice”. So far, the track has been well received by critics, who have largely focused on their take on 60’s psych and indie rock. Critics have also reiterated that fans of The Lizard King are likely to appreciate this latest track. But more on that later.

“Alice” is Morrison Graves’ first release of 2026. It arrived a few months after the heavy groove track “The Swarm” made its way onto the scene. The band released their critically acclaimed full-length debut, Division Rising, in 2023. The band has not been limited to the standard guitar, bass, and drums configuration. Various members have been known to wield a Farfisa, an organ, a Shruti box (a bellowed instrument from the Indian subcontinent), and a sitar (yes, folks, a real sitar! Not a Danelectro Coral Sitar, but one you actually have to sit on the floor and play!) Division Rising features appearances by all these instruments, and it is a real treat, too. The album is full of surprises, and there are a few bait-and-switch maneuvers as well.

The opening track starts with a muffled surf number that slows down in pitch, then takes a complete detour departing from the note it left off at- a sure thing to baffle any tetrahydrocannabinol-laden brain! You might hear nods to Pink Floyd, pre- AND post- Barrett, with familiar Farfisas you’ve heard on The Piper at the Gates of Dawn. The track “Demolition Man” has echoes of later Floyd’s “Money” with guitars commensurate with Gilmore’s dramatic tremoloed strums. There are intriguing soundscapes throughout the album, and plenty of vacuumed, backwards echoes.

Iridescent red image of the four members of Morrison Graves standing in front of a wall

Lots of frightening 80’s Ken Russell movie imagery is conjured, particularly with fading pitch sounds (ever see Gothic?) This album is sure to take you to those frightening, fiery, surreal places, but I assure you everything will be okay.

“Alice” was just released on March 4th. The personnel on this track are Ryan Brown on vocals and guitars, Gary Jimmerson (he’s the sitar player!) on guitar, Brent Jones on guitar and drums, and Michelle Muldrow on bass. The track was recorded at Hallowed Halls studio in Portland, Oregon with David Streit at the console. Ryan Brown recorded vocals, guitar, and bass, and the track was mixed by Robert Bartleson at Haywire Recording in Portland.

“Alice” starts us off in a bubbly, sizzling lab, and we get bashed around and reverberated as if we’re made of rubber. And we shimmy our way up a Jacob’s Ladder, capitulating in the songs’ explosive entrance. A cheeky riff nudges in a neat pattern up and down the neck, and there is lots of reverb everywhere. The song is extremely atmospheric and kind of sounds like it was recorded in the cave beneath Wayne Manor. Layered vocals give the song that psychedelic sensuality that makes this genre so appealing to many. The song’s pacing is reminiscent of 90’s neo-psychedelia, but it would not seem out of place at any Glastonbury Festival.

Besides the band’s name, there is plenty more inspiration by The Doors on this track. Brown croons a bit like the legendary Jim Morrison, but he offers a clearer, more sensitive lilt, as if Jackson Browne (no relation) were tragic and lived near a tumultuous sea, far from his piano in Laurel Canyon. Also, be sure to catch a Doors’ Easter Egg at least twice in the song. You know, the Ajax commercial tagline “Stronger than Dirt” from the conclusion of “Touch Me.” It first appears as it summons the song’s more tranquil bridge. And then you hear it again at the end. Nice Door code!

Jimmerson explains the narrative of “Alice”:

“We’re writing about a story of humanity’s quest to colonize the astros after the destruction of Earth and its resources. Alice is the main character. She gets shot down by her brother’s ship after he sells out to a corporation intent on controlling the astro’s resources. She doesn’t die and ultimately leads us in a civil war against the corporate war machine.”

“Alice” and “The Swarm” are two of four singles on the same EP. Be on the lookout for Morrison Graves’ other two singles due out in the coming months. In the meantime, be sure to play “Alice” loud, on your home stereo, or out in the desert! To paraphrase The Lizard King, you’ll see yourself as a “huge fiery comet!” Everyone will stop and point up at you! And at the song’s conclusion? Whoosh! You’ll be gone!!!

The four members of Morrison Graves standing in front of a non-de script wall.

Riffindots is Britta Pejic. Britta is a musician. Songwriter. Artist. Foreign Language Teacher. Grew up in Maine. Lived in France (The Basque Country). Now back in New England. Enjoys getting lost. Makes a lot of songs at home, puts them into a canister, then into a hatch, and then through her own pneumatic tube system under the Atlantic. The songs are vacuumed out of the other end, dusted off, and polished by Console Lole, her loyal sound engineer, back in the Basque Country. It’s a system that works well for her. Follow @riffindots for cartoonish fun and visual mayhem, or simply enjoy her music at https://brittapejic.bandcamp.com

 

morrisongraves.com

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soundcloud.com/morrisongraves

facebook.com/morrisongravesband

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